I am delighted to be a part of Fiona’s blog tour as The Kill Fee, her second book in the Poppy Denby Investigates series, is released. I am partway through the book currently – and am absolutely hooked (as I was with the previous title). Fiona is an incredible writer; she really sets the scene and historical background to her work and also paints her characters and storyline vividly and imaginatively. The pace is just right – as a reader you are swept along, immersed in the story, eager to find out how the mystery will be solved. Fiona explains below the way that she ensures the history of the period is as accurate as possible in her books during the writing process:
The Poppy Denby Investigates books are murder mysteries set in the early 1920s. The Jazz Files takes place in June 1920 and The Kill Fee, October of the same year. Each book has a particular historical backdrop and also a backstory, set a few years earlier. So I have to ensure I get two different sets of historical ‘facts’ correct in each book. How do I do it?
Firstly, it is impossible to ensure that every single thing is 100% right. That being said, I try my utmost to do so and would estimate that about 90% of it is as right as I can get it, 5% has been deliberately ‘tweaked’ to fit in with the story (I always point it out in the historical notes) and the final 5% will be mistakes I was not aware of – I apologise in advance for my inevitable fallibility. I try to deal in historical authenticity rather than complete accuracy – it’s a novel, not a history text book – and aim to create an authentic feel for the period rather than giving the reader a checklist of exactly what happened where and when.
As I also write for stage and screen, my writing is very visual. One reviewer said she could almost ‘see’ the story as if it were being acted out on stage. Just as I would create the mis en scene by selecting representative costumes, props, music and actions to evoke a sense of the period, I do the same in my novels. Before I even start writing – and certainly during the process– I absorb myself in the music, fashion, art, architecture, cuisine, cinema and theatre of the period. There are lots of collections online, plus books to read and museum exhibits to visit. I even made an outfit from an original 1920s pattern for my first Poppy Denby photo shoot!
In terms of the historical backdrop of the suffragettes (book 1) and the Russian Revolution (book 2) I took a more ‘academic’ approach. I have a degree in history (simply a BA, but it is enough to ground me in the techniques of historical research). Before I start writing the story I spend around four months reading the key texts of the period. I prepare for writing in the same way I used to prepare for my university exams – sketching timelines and flow charts and trying to reach an understanding of the broad historical, political, social and economic backdrop, rather than memorising ‘details’. The details can, and are, easily added later. But I do not start writing until I have a feel of what it might have been like to live in that period – I try to read diaries, biographies and novels written at the time – as well as how the period ‘fits’ into history.
But then I stop, switch brains, and start to focus on the story, the characters and the mystery. That for me is the most important part. The history is certainly the skeleton of my books, but the muscles, the flesh and the beating heart are Poppy, her friends and their adventures. I hope you enjoy reading them as much as I have writing – and researching – them.
For more on the social, historical and cultural background of the books – as well as flapulous fashion and music – visit www.poppydenby.com