Francine Rivers has written over 20 bestselling Christian-themed novels (winning numerous awards), and regular readers eagerly anticipate each new publication. Her latest, Bridge to Haven certainly will not disappoint.
Based in 1950s Hollywood, it is the story of Abra and her journey to find true love and acceptance. Abandoned at birth and never truly finding her place in her home town of Haven, the naïve young woman is vulnerable to the charms of the fast-talking rich boy who lures her away to Hollywood.
Once there, Abra soon learns what is expected of a girl with ambitions of fame. The price she pays is huge, but Abra has burned every bridge to get exactly what she thought she wanted and feels trapped as a consequence. If she were honest with herself she’d realise all she wants is a way back home…
I had the great opportunity of being able to ask Francine about the inspiration behind her new novel – and what she hopes her readers will glean from it:
You have written about such varied subjects – a retelling of Hosea; the persecution of Christians in Roman gladiator times; the tradition of the sin-eater in 1850s Appalachia. Each one of them is written so expertly it seems that you must have immersed yourself in the subject. How do you go about researching each new topic?
“Almost every story begins with a question or issue with which I’m struggling, and each story seems to dictate the time in which it needs to be told. For example, when I was struggling with the question of how to share my faith with unsaved family and friends who didn’t want to hear anything about Jesus, I thought of the early martyrs who died in Roman arenas. The result was A Voice in the Wind.
“The Scarlet Thread came from a study of sovereignty and a cross-country trip several friends and I took, following the Oregon Trail. Local museums showed story after story of people setting off to find a better life. Hardship and tragedy followed them across the prairie – along with the question: who is in control of our lives?
“What is the difference between guilt and conviction was a question that fit the Appalachian highlands custom of sin eating, a practice brought over in the early days from Scotland and Wales. The result was The Last Sin Eater. And The Shofar Blew came out of questions on how to build a church in modern times amidst massive building projects that often destroy congregations.
“In each case, once the time and place are set, it’s a matter of immersing myself in the time period, finding good books, finding pictures, making binders with dividers between subject matter – what people wore, what their homes and daily lives were like, the political atmosphere, music, customs, etc. I even listen to music that fits the time period while I’m working. The writing process is a quest for answers and a journey with characters that become real people to me. Writing a story is my way of worshipping and praising the Lord.”