Book signing

An opportunity to buy signed copies of my books, and support a local Christian bookshop!

Christmas Voices

I am delighted to share my latest book with you: Christmas Voices. I can’t believe that I forgot to post about it here! It is a wonderful book filled with 25 reflections written by me, alongside contributions by 40 other ‘voices’. I do have some copies available, so do contact me directly if you live in the UK and would like to buy a copy from me (happy to sign it too). It is also available on the publisher’s website. Carry on reading for a sample of the reflections…

Day 2 Stretched by a promise

Genesis 12:1–4

The Lord had said to Abram, ‘Go from your country, your people and your father’s household to the land I will show you.

‘I will make you into a great nation,
and I will bless you;
I will make your name great,
and you will be a blessing.
I will bless those who bless you,
and whoever curses you I will curse;
and all peoples on earth
will be blessed through you.’

So Abram went, as the Lord had told him; and Lot went with him. Abram was seventy-five years old when he set out from Harran. 

God loves to speak to his people – and to give them promises. Noah, for example, was shown a rainbow as God promised never to send a flood again; Moses was given the promise that God would free his people from slavery in Egypt.

Often God’s promises make us uncomfortable, or necessitate action from us. Here, Abram was given an incredible promise – that he would become a great nation and that God would be behind him all the way – but he had to leave all he had known in order for that promise to take place. As we know, his faithfulness and hope in that promise was tested to the limit (and he made huge mistakes along the way), but God always provided – just perhaps not in the timeline Abram and those in his household wanted! Have you ever experienced that? A promise from God that you have had to cling on to and perhaps step out into in a way that is uncomfortable or slightly scary? The idea of the promises of God seem so appealing, but often the fulfilment of them stretches us in ways we couldn’t have imagined beforehand.

Too often the promise of our coming saviour is sanitised too…into a beautiful nativity scene. I am sure the reality was very different for his parents – tired and dirty, confused and disappointed that there was no room for them anywhere. Jesus was born into messy circumstances – physically but also politically and spiritually.

What reassures me is that God loves to involve us in the outworking of his promises, and he doesn’t disown us when we fail. It is incredible to think that Abram did indeed become Abraham and that through his line Jesus the messiah came. But day to day, Abram wouldn’t have seen the fulfilment of all that God had said to him, although he did receive the promised son and heir he longed for. He is mentioned in the ‘faith hall of fame’ in Hebrews 10, where it also says: ‘They did not receive the things promised; they only saw them and welcomed them from a distance…they were longing for a better country – a heavenly one.’

Let us not settle this Christmas season, but press on even when we feel uncomfortable.

Prayer: Lord I thank you that you give us promises; help me not to shrink when you are urging me to action or stretching me. Amen.

Book Blest

Book Blest is a Christian book festival, held at Stroud Baptist Church

Women’s Day

Abiding in Jesus through the storms of life – women’s day at Freedom Church, Liverpool

A profound encounter with God

I am thrilled to welcome Kate Nicholas back to my blog, as her new book releases. I had the privilege of reading an early version, endorsing it and also interviewing Kate at her launch event. This book is well worth getting hold of…

How do you write about an experience of God that goes beyond words? This is the challenge that I faced when writing my latest book To The Ocean Floor.

When I was first diagnosed with Stage IV breast cancer in 2014, I was given a piece of scripture from Psalm 118:17, ‘I will not die, but live and declare the works of the Lord.’ And when, against all odds, I survived I dedicated to myself to this mission. During the following seven years of glorious remission, God opened amazing doors for me as an author, broadcaster and preacher, and I began to get used to the idea that I was going to live.

Then in 2021, in the midst of the pandemic, a routine mammogram revealed that the cancer had returned with a vengeance. Within weeks of starting chemotherapy I became desperately ill, and on one of the toughest days of that journey, I sank beneath the waves of consciousness – where I had a profound encounter with God.

Recapturing that deep connection

As I recovered, I was left with a powerful yearning for that connection and as I sought to recapture the intensity of what I call my ‘ocean floor’ experience. I began to explore a contemplative practice that dates back to the dawn of Christianity, which points towards a more intuitive connection with God – the kind of connection that I had experienced in the depths.

In this new book, I recount my exploration of a meditative tradition that goes all the way back to the Apostle Paul, Desert Fathers, Celtic Christians and Medieval mystics; a tradition that has been since been developed by modern monastic spiritual masters such as Bede Griffiths and John Main.

Never alone despite isolation

One of the things that I became acutely aware of on this journey was that God was all around me. Perhaps it was because I was so isolated for much of this time (Covid and chemo-induced lack of immunity are not a great combination) that every interaction with the staff and fellow patients at my local hospital seemed charged with meaning.

On the wards, I was astounded by the wonderful staff of the NHS whose compassion, professionalism and resilience never failed to amaze me. I knew that somehow Christ was in that place, in the healing hands and the patience but also the cries of pain and fear; unseen but all pervading.

Facing death – finding God

There’s no doubt about it, the road I travelled was not easy and it brought to the very verge of death. But it has also been a time of profound discovery; an inner journey into the mystery of God and what one reviewer called ‘the richness to the be found at the border of life’s journey’.

There is an innate paradox in writing a book about an experience of God that defies description. But when the poignancy of the moment seemed to outweigh my ability to express myself, I found that the Spirit took over and words began to arrange themselves in unexpected ways; prose sometimes morphing into poetry.

While I write openly about some quite difficult experiences as I went through cancer treatment, this is ultimately a book about hope. It’s about the fact that our reality is far more mysterious and exciting than we can ever imagine and reveals a deep and profound connection with our creator.

It’s my prayer that To The Ocean Floor will provide reassurance those who have wondered where God is in the face of challenges and inspire readers to go deeper in terms of their own intuitive connection; to be still and know in the deepest core of their being that He is God.

To find out more about Kate Nicholas’ books, TV series, courses and blog visit www.katenicholas.co.uk

Unity in diversity

I have had the pleasure recently of being involved in a multi-contributor project: The Jesse Tree Anthology. The brains behind the project, Rachel Yarworth, has provided a guest blog today, revealing more about how the idea developed, the ups and downs of the process – and why she is so grateful to God for it. I heartily recommend it as an Advent resource – both for individuals but also for families.

There’s a window in Coventry Cathedral that is simply breathtaking. I say ‘a window’ – it’s actually an 85-foot-tall collection of 198 panels of beautiful stained glass. Each panel has its own beauty when you look at it in isolation, but when you stand back and look at the whole window, it is glorious. And I don’t use that word lightly. No two parts are the same, but the whole is made even more glorious because of the variety. For me, that’s the beauty of unity.

It’s a common biblical theme. Think of the “great cloud of witnesses” of Hebrews 11 and 12 – that vast collective of men and women of faith whose different voices and stories all witness to God’s faithfulness. Or the Body of Christ in 1 Corinthians 12 – each part having its own purpose that serves the whole. Or think of the precious anointing oil in Psalm 133:2 – that precious combination of olive oil, myrrh, cinnamon, calamus and cassia, all contributing to make one powerful blend. So it is when God’s beautifully diverse people unite together for the express purpose of glorifying Him.

It was with these ideas in mind that I embarked on my latest publication: The Jesse Tree Anthology. While considering the possibility of writing a ‘Jesse Tree’ resource that specifically focused on how each Bible story pointed to Jesus, I came across an article about taking part in an anthology as a way for self-published authors to get their books before a wider audience. When I read that, I immediately thought of my writer friends who might benefit in this way. And as the anthology concept and the Jesse Tree subject came together, it seemed to be a match made in heaven.

The Jesse Tree explained

You see, the Jesse Tree tradition is all about using the Advent season to retell key stories of Jesus’ ancestors and forerunners: multiple unique accounts of men and women of faith, each revealing the glory of God in a slightly different way. So what better way to present the richness of those multiple stories, than by using multiple different voices to tell them? Voices of modern men and women of faith! Unity in diversity! Like a weaver intertwines multiple strands of warp and weft to form a single piece of beautiful fabric, I pictured the many strands of ancient stories woven together with the many strands of modern voices to make one God-glorifying piece of art.

The process unpacked

Of course, that’s a romantic picture. In practical terms, keeping track of 25 different authors, and what stages they were each at, was a distinctly prosaic reality. Suggesting corrections to writers with more experience than I required me to face up to the crippling shame of Imposter Syndrome. Editing and re-editing and re-editing again relegated the project at times to the realm of sheer hard work.

But eventually we got there, and when I held the first print copy of the book in my hands, I felt fully blessed. I am thrilled with what we have created, and the way all of our hard work has come together to form something beautiful. What is even more precious to me – and I dare suggest, maybe to God too – is the unity that was displayed behind the scenes. When two people needed to withdraw along the way, it was done in grace with no offense held, and God quickly provided others to take their place. When I was at the height of feeling I wasn’t up to leading the project, some of the contributors (who had no idea how I was feeling) contacted me to say they were praying for me and they believed God’s hand was on it all. When the book was almost ready to be printed and I was feeling exhausted and overwhelmed by publicity demands, some of the contributors started posting their own promotions of the book, which brought me to tears by reminding me of the original vision and how they were all carrying it too. 

Each contributor gave of their best to add a lovely, God-glorifying piece of writing, for which I am utterly thankful. But what I appreciate even more is the way they each gave of themselves in diverse ways reflecting their individual graces, to come together as one and produce a unity truly precious in God’s sight. The book is great – I love it. But the unity? That’s been truly glorious.

Rachel Yarworth is the author of Friend of God: The Miraculous Life of an Ordinary Person and The Jesse Tree Anthology. Rachel lives in Worcestershire with her husband Mike, their three sons and their miniature labradoodle. When not writing, Rachel can usually be found home educating her younger two boys, leading a home church or going for long walks in the countryside.

How to be a valuable Christian

I am delighted to welcome Liz Carter onto my website today, with a guest post as part of the blog tour for her fantastic new book Valuable. I was thrilled to read an advance copy of it, and delighted to endorse it too. The book shares such a vital message to us all – I thoroughly recommend it to you.

I was really sick again. I’d been prayed for so many times through my life of illness, and I had not been healed. I was still in pain. Somebody in the group prayed for me with these words: ‘Father, please heal Liz so she can be useful again. So you can use her again.’

I felt like I was falling apart as those words churned in my mind. Useful again. Useful. Useful. It seemed to me that in order to be useful to God I must get better, and because I wasn’t getting better, I was useless. I was not valuable to God. I went out of that meeting with my head hung low and my heart heavy. Would I ever be of use to God? Even when people told me God could use me I couldn’t make those words mean good things for me. I couldn’t be used, because I wasn’t well enough. And did I want to be used, anyway? Was being used by someone a good thing?

Let’s look at the words we use

Language is so important, and as Christians we sometimes forget this and we use words and phrases that some might call ‘Christianese’; incomprehensible to the world around us. When we talk in terms of being useful to God, or of God using, people on the outside of faith may look on and raise their eyebrows at the idea that ‘God using’ is positive language. After all, when we talk about a guy using a woman, we don’t mean it in a positive way, do we? We mean he has used her for his own ends. So why do we talk about God like this?

It’s one of those things that we think must be in the Bible, but when we look into it it actually isn’t (a bit like unhelpful phrases like ‘God helps those who help themselves’). The verb ‘to use’ with us as objects and God as the user just doesn’t appear anywhere at all. There are some great pictures about us as honoured vessels, created by God for good purposes, but not to ‘be used’ by God. What if there is a different way of thinking about how God works in us and through us – a way that more accurately describes the love-relationship God longs for with us and has created us for?

What God values v what society does

God’s kingdom is an upside-down kingdom. While the world values productivity and usefulness, God values us for who we are: his beloved children. We do not have to earn God’s love, and we are not God’s tools, picked up and then discarded when the job is over with. Instead, God partners with us and joins with us (John 15) and is delighted in us (Zephaniah 3:17). In God’s economy, we are all loved and all equal (Galatians 3:28). The picture Paul shared of us all being equal parts of the body of Christ (1 Corinthians 12:27) was astoundingly radical and counter-cultural in a time where power was valued and the weak were thought of as lesser. It still speaks to us today in a society where ‘doing’ often seems to count more than ‘being’.

Even in church we can find this narrative has taken hold: we see how the useful, the strong, are valued above the weak, and so people who are weak can feel lesser. It plays into the way we talk about healing, too, as I said at the start: somehow we have come to believe that healing and ‘wholeness’ will make us more useful to (and used by) God. Somewhere along the line we have forgotten that God is not interested in how much we do, but in how much we love him and how much we respond to his transformative grace and power. For a disabled, chronically ill person like me, this is so liberating: I am found in Christ and freed in Christ, not for how much I do but for who I am created to be.

So when those kinds of prayers are prayed over me, I am free to say no, I do not need to be healed to be useful to God. I find God working in me and through me within my pain, and I do not have to always be trying harder, or getting better, or striving away to earn my place in God’s kingdom. I’m so grateful.

Knowing your value

My new book, Valuable: Why your worth is not defined by how useful you feel digs into these ideas and reflects on our stories in God, stories of his infinite love over us rather than stories of how useful we are to him and to those around us. It is my prayer that as you read it, you will find yourself set free from the narrative that you are not enough, and be assured that you are of more worth than precious gems.

That you are valuable.

Liz Carter is a writer and poet from Shropshire, UK. She is the author of Catching Contentment, Treasure in Dark Places and Valuable. You can find her on Twitter @LizCarterWriter, on Instagram, Facebook and TikTok @greatadventureliz, or at her website.

Wheel of Fortune

I have the huge pleasure of welcoming Claire Dunn to my blog today, as part of a tour for the first book, Wheel of Fortune, in her new series: The Tarnished Crown. I asked her about how the series came about, and what writing the first title was like.

Why did you choose to set your new series in 15th-century England?

It was inevitable. It stems from a life-long fascination for the Wars of the Roses – the 15th-century conflict that dominated English political life for over 30 years, and was driven by powerful personalities whose names resonate down the centuries. Men such as Richard Neville, Earl of Warwick (the ‘Kingmaker’), George, Duke of Clarence (he of the butt of Malmsey), and Richard III – remembered, unjustly, for all the wrong reasons. Women, too, make it into public consciousness: Elizabeth Woodville – queen to Edward IV – and Margaret of Anjou, Henry VI’s wife. Historical figures are often rendered into bare, memorable essentials – kingmaker, fickle brother, wicked uncle, she-wolf, temptress – stripped of the nuances that make them real people. And it is the real people  and what motivates them that I find interesting. It is too easy to reduce historical figures to their component parts rather than see them as multi-faceted, yet we relate to people, not attributes, not labels.

What did the characters come to mean to you?

One of the reasons I like writing series is the chance to get to know the characters – both real and imagined – really well. When we first meet Isobel Fenton in Wheel of Fortune she is a young girl with limited experience of life. By the end of the book she has encountered people and events that alter her expectations and the way she views herself and the world. She hasn’t changed, but her relationship with the world has. 

Sometimes my own relationship to my characters changes over the course of writing a book. In Wheel of Fortune, I gave the Earl specific – rather unlikable –  traits; but as I grew to know him my attitude towards him shifted. The man became more complex, with his own values, interests, hopes, anxiety and doubts. He became real and, instead of disliking him, I came to understand why he acted the way he did. 

The Earl is a character of my imagination, but the challenge for a historical novelist is to integrate the real with the imagined in as seamless a way as possible so that a character’s situation and experiences represent the reality for many of those living through a period of turmoil like the Wars of the Roses. Good or bad, for all their faults, people were trying to live out their lives as best they could in a time of hardship and uncertainty. Are we not trying to do just the same now? Faced with similar circumstances, how would we react and what decisions would we make?

How did you go about researching such an enormous topic?

Research is something I relish. Not only is it vital to ensure the accuracy of what I write as far as is humanly possible, it can also suggest new plot lines. Research is like travelling down a long corridor lined with many doors behind which lie endless  possibilities waiting to be discovered. Finding the key to those doors is another matter. Research can be a hard slog through primary sources both physical – visiting castles or museums to understand the built environment, for example – and the written and pictorial – manuscripts and paintings, indentures and parliamentary records. Much research, though, is checking on who did what, when and where – not easy in some instances when the historical record contradicts itself. Gaps in knowledge have to be filled, which sometimes feels like a leap of faith.

Could you give us an insight into how you approach your writing?

Writing is a roller-coaster experience with many ups and down along the way. I ‘write’ one way or another every day, whether it is researching, editing or tackling the next chapter. Some days I will manage only a few hundred words, but on others, several thousand.

Writing can be a slog or the biggest high you can imagine, but most of all it requires what the writer Elizabeth George describes as ‘bum glue’ – the ability to sit down and work at the book project, day by day, until it is completed. That is no small task in a busy life where writing is only one aspect of being an author. A writer nowadays also needs to be media savvy, understand marketing, negotiate contracts, attend events…the list goes on. Is it worth it? You bet it is when you hold your new book baby for the first time and it gazes back at you. And then you open the crisp new pages and meet once again all the friends you have made over the preceding months and remember why you are an author in the first place.

I thoroughly enjoyed reading this book: I share a short review over in the Woman Alive book club Facebook group, which you can access here.

Claire Dunn (C.F. Dunn) is an award-winning English novelist of historical fiction, mystery and suspense. Born in Lincolnshire, Claire spent her childhood moving from place to place with her Forces family, an experience which she believes helped fuel her imagination. It is as a child that she discovered a fascination for the past that led to an abiding interest in the Wars of the Roses and a lifetime of research.

Following a degree in Medieval History she founded and ran a school for neurodivergent children and young people – students whom she describes as inspirational. Embarking on her writing career, she returned to her historical roots with Mortal Fire – the gold medal-winning first book in The Secret of the Journal series (read Claire’s reflections on writing that series here). Claire is currently working on a major new historical series called The Tarnished Crown set during the turbulent period of 15th-century England known as the Wars of the Roses.

She now lives and writes by the sea in Dorset with her family, assorted animals and overworked  coffee machine. 

Book 1 in The Tarnished Crown series – Wheel of Fortune – was launched through Resolute Books in May 2023. Book 2 – Sun Ascendant  – is due for release through Resolute Books in the autumn of 2023.